Ancient Contemporary: Odissi, Jazz, & Cambodian Classical
by Priya Das

Making The Mosaic – A column that dips into the disparate, diverse palette of our communities to paint inclusively on the vast canvas of the Bay Area by utilizing Heritage Arts. 

“Children are taught racism. Children are taught diversity. They don’t see it; they only see human. Two words: education and exposure. What are children educated about and what are they exposed to?” Coleen Lorenz, artistic director of New Ground Theater asked, and went on to affirm that she loves the Arts because they are the symbol of universal being-ness, of who we are at birth.

This was part of the conversation when Coleen; Niharika Mohanty, artistic director of Guru Shradha Dance; Charya Burt, classical Cambodian dancer and teacher; and I met for the sixth episode, Ancient Contemporary, of Mosaic Connect, an online series designed to explore our common humanity through the performing arts.

The episode aired when the country was in the grip of civil unrest. Shelter-in-Place had, on the one hand, unified us, on the other hand, protests against police brutality seemed to have uncovered a series of deep fractures among us…and within us. All of us, it seemed, were questioning our identity and purpose. More importantly, we all seemed to be looking at ourselves and each other with new eyes, asking ourselves the question – Where do I belong?

Some were looking to rediscover or reclaim their identity and some were challenging their neighbor’s very right to be included as Americans.

Programming at Mosaic Silicon Valley addresses this issue: how to move multicultural American communities from diversity and inclusion to belonging. We highlight the common roots or representations of any two artforms, such as in Ancient Contemporary, which mediated a course between Odissi and Modern Contemporary one the one side; Odissi and Classical Cambodian on the other. This was done deliberately, to create awareness about our common humanity and celebrate our beautifully rich traditions. Thus, the online episode showcased each style and artist, as well as their collaborations and was followed by discussion.

Mosaic Fellow, Charya emphasizes in Ancient Contemporary, “Arts can provide a model that is inclusive. For culture based artists like us, Arts can provide us with dignity, cultural identity, and pride to those in the community.”

That pride is the basis of our collaborations. In contrast to the “Melting Pot” model, we welcome artists as they are, to build bridges organically, through discovery and connections.

Niharika was wondrous of the fluidity of vocabulary in the Jazz Contemporary style.

Coleen was impressed by the level of complexity incorporated in Odissi dance.

Charya was amazed at the similarities that her artform and Odissi had, to temple sculpture and mythology.

Clips from both explorations are included in Ancient Contemporary. Let us explore our identity and shared futures through the arts practiced in America today. Let diversity not be relegated to the label “ethnic” which by its very definition, excludes. Instead, let’s come together and include one another in this wonderful American mosaic. Let us be unafraid to express ourselves truly, in order that we may fully Belong. To sum up in Niharika’s words, “There is an ultimate truth. We are One. We stem from the same roots. Arts are more than ever, an expression of who we are.”

Watch it all come together in the video below!